Mystery oil painting left in storage at art gallery for years IS by British master Turner and is worth millions

The painting of a ship off Margate beach had been kept in storage at Manchester’s Whitworth Art Gallery amid doubts of its authenticity.

View of The Beach of Margate by Turner

The painting of a ship off Margate beach had been in storage as previous Turner experts had shed serious doubt over its authenticity.

But now art historian, Ian Warrell, who used to look after the huge Turner collection at Tate Britain in London, is convinced it is by the great man.

Mr Warrell said: “It had been hidden away at the Whitworth really because they were led to believe that it was not a Turner. But I’m convinced that it is.”

Called View of The Beach of Margate, it will be one of more than 100 works by the artist to be displayed at the JMW Turner Adventures in Colour at the Turner Contemporary galley in the resort nest weekend.

Mr Warrell says the painting dates from 1840 when Turner was in Margate lodging with a Mrs Booth.

The Whitworth gallery in Manchester
The Whitworth Art Gallery in Manchester

First called The Phantom Ship, was a part of collection sold by Mrs Booth, – his landladly and mistress – and her son Daniel John, at Christie’s in 1865.

It was bought by the Manchester cotton manufacturer, Henry Tootal Broadhurst.

It was inherited by his son, Sir Edward Tootal Broadhurst, who became chairman of Tootal Broadhurst Lee, one of the largest cotton manufacturers in Manchester.

He was also the chairman of the Manchester and Liverpool District Bank and High Sheriff of Lancashire in 1906–7.

After his death it was bequeathed to the Whitworth, which has 18 Turner paintings.

But due to concerns about its authenticity the painting was put in storage after being on display for about a year.

'The Burning Of the House Of Lords' by Turner
‘The Burning Of the House Of Lords’ by Turner

However it has now been relabelled as a Turner by the Whitworth.

David Morris, head of collections at The Whitworth, said: “The painting was assessed by a Turner expert, Mr G Agnew, in 1924, and a note by him says he does not consider it to be a Turner.”

Agnew valued the painting at at £200 and said it was ‘doubtful whether it was genuine”.

Mr Morris added:“Then in the 1980s it was looked at by another Turner expert, Evelyn Joll, who was responsible for a catalogue raisonnee of all Turner’s works. He said it was not a Turner.

“So when you have that kind of opinion as a public gallery, you have to take it off show, you don’t want to be embarrassed.

Turner painting Fishing Boats in a Stiff Breeze
Turner painting Fishing Boats in a Stiff Breeze

“Ian Warrell was intrigued by it however. He is the current best expert on Turner in ther UK. I am opened minded about it. He considers it to be part of a group of paintings of Margate, three of which are held by the National Museum of Wales in Cardiff.

“It would be fascinating to bring them all together and to carry out a scientific examination, looking at things like the pigment of the paint, to establish definitively that it is a Turner.

“We did exhibit the painting again last year at our re-opening, and it is now labelled as a Turner.”

After the Margate show the work will return to storage at Whitworth as the gallery’s exhibits are planned years in advance.

by Neal Keeling

Source: Mirror


There’s that light…

Do you know what the last sentence of Joseph Mallord William Turner – incontrovertibly the greatest British painter of all time – was? “The sun is God.” The last words of a real genius! They sum up not only his beliefs, but also his notion of art. People call him the “painter of light”. They could just as well call him the “painter of the sea”. Perhaps they should go for “the painter of the sea AND WHOA DO YOU SEE THAT LIGHT?!”

J.M.W. Turner

From February 24 to May 24, the J. Paul Getty Museum in Los Angeles is hosting one of the biggest Turner exhibitions that has ever been, focusing on his late years when he paved the way for modernity: J. M. W. Turner: Painting Set Free. You’ll see paintings full of explosions, fires, storms and shipwrecks where Turner overcame the mere imitation of nature, getting more abstract than anyone before him. He spit on the canvas, he smeared over it. Queen Victoria was not amused. But he created what you could call the first impressionist paintings ever. The J. Paul Getty Museum now brings them all together for the first time on the West Coast of the US!

Smearing and spit comes at an extra cost in our books, but hey, at least you can take them with you! There’s the little brother: William Turner, Collection Art Gallery, 4.1 x 5.5 in., 144 pages, c. 100 illustrations, Flexi Cover. The pocket version. And then there’s the big fella: The Life and Master Works of J.M.W. Turner, Temporis collection, 10.4 x 12.5 in., 256 pages, c. 150 illustrations, hardcover with dust jacket. Maybe that fits in yo mama’s pockets… Anyway, you’ll get the most important paintings and loads of information on Turner. Plus, in a way, it’s the fulfillment of Turner’s last will. He wanted all his paintings to be shown together. Always at your service, Mr. Turner!

Turner, Temporis. Parkstone International
“Turner”, Temporis.
10.4 x 12.5 in.
256 pages, about 150 illustrations.
Hardcover with dust jacket.
Art Gallery, Turner. Parkstone International
Art Gallery, Turner.
4.1 x 5.5 in.
144 pages, about 100 illustrations.
Flexi cover.